Archive
Sony World Photography Awards
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Iskander 75
Welcoming remarks by: Kornél Mák / deputy mayor of Kecskemét
Opening speech by: István Orosz / graphic artist
Minitortextures
Textures, woven structures, linear and non-linear surfaces: color/light-, self-portrait-, time-, action-, human/crowd- and error-textures; abstract shapes. I also belong to the first generation of watching monitors. The television monitor was a decisive experience of me; meeting surface. There appeared newer, different types and functions of monitors, but the things have remained somewhere. I like the texture of the monitor; so touchable. RGB illusions. Monitor-like textures; synchrony, error and a-synchrony. Equivalent relationships of sound and image. One builds the other and vice versa.
I selected works of audio-videos from three different series for this one-man show.
The Monitortextures are montages and transformations of digital errors recorded on monitors.
The sound and image is eroded in synchrony.
The opuses of the Synchrony series explore the possible synchronicity and/or a-synchronicity of
sound and image.
The art pieces of the Procession’s structures based on the Fibonacci sequence. These could also
be the metaphors of the ungraspable time. The past and future are unattainable, and the present
does not exist – all is illusion.
The technique, the using software provides opportunities for transferring, substitution, some
forms of illusion.
The presented audio-videos were made in the last year.
source: http://www.gyenes62.hu/gyenes_monitortexturak_kat.pdf
Surveillance System
The project presented here is a kind of revision of the traditional surveillance system. There are no people or vehicles on these long exposure photos, only empty squares that are actually well-known places of Budapest. These photos, shot over months, are prints of consolidated space and not images of everyday life.
The artist observed the eventful squares, intersections of Budapest with pinhole cameras, several ones per square, made of beer cans. He fixed the cans on electric pylons, traffic lights or in similar heights so that they could well cover the given square. He placed black and white photo paper in the cameras on which he exposed over months.
source: http://www.artcapital.hu/extra-muros-art-capital-basel/
Memories Burnt into Retina
Opening remarks by Imre Drégely fine art photographer
Movie Portraits
Opening remarks by Ildikó Piros Kossuth and Jászai Mari prized actress
In the Depth of the Forest
Greetings by Attila Fördős, the major of the city of Vác
Opening remarks by György Feledy art writer
Sony World Photography Awards
Iskander 75
Welcoming remarks by: Kornél Mák / deputy mayor of Kecskemét
Opening speech by: István Orosz / graphic artist
Minitortextures
Textures, woven structures, linear and non-linear surfaces: color/light-, self-portrait-, time-, action-, human/crowd- and error-textures; abstract shapes. I also belong to the first generation of watching monitors. The television monitor was a decisive experience of me; meeting surface. There appeared newer, different types and functions of monitors, but the things have remained somewhere. I like the texture of the monitor; so touchable. RGB illusions. Monitor-like textures; synchrony, error and a-synchrony. Equivalent relationships of sound and image. One builds the other and vice versa.
I selected works of audio-videos from three different series for this one-man show.
The Monitortextures are montages and transformations of digital errors recorded on monitors.
The sound and image is eroded in synchrony.
The opuses of the Synchrony series explore the possible synchronicity and/or a-synchronicity of
sound and image.
The art pieces of the Procession’s structures based on the Fibonacci sequence. These could also
be the metaphors of the ungraspable time. The past and future are unattainable, and the present
does not exist – all is illusion.
The technique, the using software provides opportunities for transferring, substitution, some
forms of illusion.
The presented audio-videos were made in the last year.
source: http://www.gyenes62.hu/gyenes_monitortexturak_kat.pdf
Surveillance System
The project presented here is a kind of revision of the traditional surveillance system. There are no people or vehicles on these long exposure photos, only empty squares that are actually well-known places of Budapest. These photos, shot over months, are prints of consolidated space and not images of everyday life.
The artist observed the eventful squares, intersections of Budapest with pinhole cameras, several ones per square, made of beer cans. He fixed the cans on electric pylons, traffic lights or in similar heights so that they could well cover the given square. He placed black and white photo paper in the cameras on which he exposed over months.
source: http://www.artcapital.hu/extra-muros-art-capital-basel/
Memories Burnt into Retina
Opening remarks by Imre Drégely fine art photographer
Movie Portraits
Opening remarks by Ildikó Piros Kossuth and Jászai Mari prized actress
In the Depth of the Forest
Greetings by Attila Fördős, the major of the city of Vác
Opening remarks by György Feledy art writer